The Orthodox icon is analysed from the perspective of the theology of the divine presence, following the thought of Pavel Evdokimov, Boris Bobrinskoy, Michel Quenot, Leonid Uspensky and Pavel Florensky, with an emphasis on the distinction between the icon and the religious painting, on the Christological foundation of the icon, and on Florensky’s triad of ‘face–image–mask’, through which humankind is called to bear the likeness of God.